Hedonistic but not vulgar, carefree but not wanton, Die lustige Witwe, bred in the soil of Austria-Hungary, is set in and pays tribute to Paris from Vienna. It successfully connects two elegant and sophisticated cultural ambiances and records the unforgettable histories of these two cities. In brief, the story is about one small country’s embassy in Paris working hard to find a compatriot husband for their country’s richest widow in order to prevent her estate from being transacted overseas. Although the main theme is light-hearted, hints of sardonicism loom inside, particularly with the interspersed tabloid fodders. With Lehár’s creativity, the operetta is imbued with suave tunes. More sensational notes built on intricate orchestration appear in the banquet scene that has immortalized this piece of dance music. In addition to its appealing tunes, the kaleidoscopic harmony manifests the aesthetics of the Fin de Siècle. It’s Wagner sipping champagne and hedonistic Mahler and Richard Strauss, an operetta to entertain you and for you to appreciate. Sung in German and narrated in Mandarin, Die lustige Witwe will merrily usher in the new year at the NSO with its topmost vocal soloists.