If composer's personalities are reflected in their work, then concert will be spirited and full of energy. The tumultuous life of the German composer Beethoven, his antisocial behavior and rebellious attitude towards nobility

painted him as the “outraged youth” of his generation. His personality impressed upon his music, giving his music an acute sense of invincibility. Die Geschöpfe des Prometheus, written in 1801, depicts Prometheus’s creation of humanity from clay and his imbuement of our physical forms with emotion and soul. Beethoven’s touch lends the opening overture a robust and arresting sharpness. On the other hand, his compatriot Schumann had no quarrel with society and enjoyed the contentment brought on through creativity. He was a typical conformist of the first half of the nineteenth century. His Piano Concerto in A Minor and his Fourth Symphony, both written in the 1840s, perfectly capture Schumann’s affectionate yet passionate personality.