From Folk Song to Bartók

Chen-Yung Foundation X NSO What Is Composition? I

From Folk Song to Bartók


2016-10-16 Sun 14:30National Recital Hall 400Buy
YUAN-PU CHIAO, lecturer

I-CHING LI, HAO-TUN TENG, violin
GRACE HUANG, viola
YI-SHIEN LIEN, cello
YI-CHIH LU, piano


BÉLA BARTÓK:
String Quartet No. 1, Sz 40, mvt I
Romanian Folk Dances, SZ 56 - 1. Stick Dance
Hungarian Folksongs From The Csik District, SZ 35A
Rondos On Slovak Folktunes, SZ 84 - 2. Vivacissimo, Allegro Non Troppo
Six Dances In Bulgarian Rhythm' No. 6 from Mikrokosmos, Book 6, SZ 140 – 153
Piano Sonata BB 88, Sz. 80, mvt I
String Quartet No.4, Sz.91, mvt II, IV
String Quartet No.6, Sz 114, mvt IV
Sonata for Solo Violin, BB 124, Sz. 117, mvt IV
Piano Concerto No.3, mvt III (arr. YI-CHIH LU)

“Nothing definitely new in the world can be invented; those what seem special, in fact, always come from something precedes them.” This comment on his contemporaries by the Hungarian musician, Béla Bartók, pretty much elaborates his own art of composing and the contexts of his creation. He delved into traditions. His works are influenced by the neo-classicism but also contain exploration of dissonance as well. With Zoltán Kodály, Bartók had collected folk music in Hungary and the surrounding areas, and sort it out into his music vocabularies, creating something new out of the old materials and skills. Béla Bartók will be introduced in the concert through his works of chamber music for the audience to know the master who specialized in performing, composing, teaching, and researching, and listen to his extraordinary art and life of a musician and an ethnomusicologist.


Title Sponsor: Chen-Yung Foundation